In a further pondering on the Passion, I was suddenly struck
by a curious doubleness. On the one hand, of course, Yeshua suffers: he undergoes, he is the victim.
Yet on the other hand, I’m fascinated by the way he commands the situation. At every point, the initiative, the
essential action, is his. Admittedly, it doesn’t, at first, seem so; yet once
you regard the whole event as something he had foreseen, and foreseen as necessary, the whole perspective
changes.
First of all, he initiates the event himself. He knows that in declaring himself to be
the new Temple (which, if destroyed, he will rebuild in three days), and in
declaring himself to be (the son of) God, he will push the Jewish authorities
over the edge. So we have to assume that when he does this, he has chosen his
moment, in full consciousness of the consequences. He acts: they re-act.
Next, he stands before Pilate. the Roman governor, doubtless
with some irony, asks him if he is the King of the Jews. He stands there,
silent. Finally, he replies, also with some irony, “It’s you who says it.”
Next, he is crucified. Apart from the excruciating pain,
it’s demeaning: the death penalty for runaway slaves. Yet no slave he. ‘He
nothing common did or mean/Upon that memorable scene [i.e. stage].’ He utters two
quotations from the Psalms, his lifelong prayer-book. ‘My God, my God, why have
you forsaken me?’ (Ps. 22) is a cry of grief and pain, but not one of despair: the
Psalm ends in praise, and in trust that future generations will serve the Lord.
‘Into your hands I commit my spirit’ (Ps. 31) moves beyond the pain and grief
to the completion of what his whole life has been: a returning of the Father’s
gift into the Father’s hands. And finally: ‘It is finished’: in the Gospel’s
Greek tetelestai, which was used in
accounting to mean ‘complete, paid in full’.
Throughout, in spite of the pain, he is command of the
situation. This is what he knew had to be done, and he is doing it. He is the
Meshiach, in the Isaian sense: he is saving Israel and the world by being the Paschal sacrifice.
It is not just courage: it’s authority.
Looked at this way, the Passion becomes even more awesome.
Yes, the Dream of the Rood was right:
he is the ‘young hero’, and in the
deepest sense: the hero is one whose acts go well beyond what the ordinary
person is capable of, and whose acts, moreover, are always done for the sake
of, for the delivery of, ordinary people.
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