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Showing posts with label prose rhythms. Show all posts
Showing posts with label prose rhythms. Show all posts

Sunday, 5 November 2017

A PROSE LYRIC



Today is the Twenty-First Sunday after Trinity by the old and proper Anglican reckoning. It is especial only to those who still, after 468 years, love Thomas Cranmer, not particularly for his personality nor even for his doctrine, but for his unusual literary genius – a talent that showed itself nowhere in his ordinary prose but only in his translations of Latin liturgical texts. These, as a hundred generations knew by birthright but new generations are only slowly rediscovering, are little short of miraculous; and today’s Collect is perhaps the most perfect of them all.

Here is the original version, from the 8th-century Gelasian Sacramentary:

Largire, quaesumus Domine, fidelibus tuis indulgentiam placátus, et pácem: ut pariter ab omnibus mundentur offensis, et secura tibi ménte desérviant.
Per Dominum... 

What Cranmer found there was a text moving in its meaning: it asks God to give to his faithful the gifts of forgiveness and peace, so that they may equally be shriven of all their offences and serve him in security of spirit. Moreover, the Latin has some elegance in its word-order, and the endings of the two clauses are so ordered that they show the characteristic rhythmic end-patterns known as cursus, in this case a cursus planus (/xx/x) and a cursus velox (/xx/xx) respectively.
The challenge for the translator lay in the form’s compact and condensed beauty. How to render this in English? Cranmer had an ear for the cursus, which has distant relatives in native English prose rhythms, and the collect’s first one suggested to him the use of the very English feature of alliteration. Moreover, he realised that the Latin was so constructed that each of the second clause’s two halves expanded on a term of the first clause, the first on indulgentiam and the second on pacem: this he could also do in his translation. We do not know how many attempts he made, but when he had finished the Collect for the Twenty-First Sunday after Trinity looked like this:

Grant, we beseech thee, merciful Lord, to thy faithful people pardon and peace: that they may be cleansed from all their sins, and serve thee with a quiet mind. Through Jesus Christ our Lord.

However, the beauty of the form and the ordering of the content is better seen if we print it like this:

Grant, we beseech thee,
merciful Lord,
to thy faithful people
pardon and peace:
that they may be cleansed from all their sins
and serve thee with a quiet mind.

Note how Cranmer begins with a cursus planus, but placed at the beginning of sentence, which Latin never did; and he continues with three other two-stress phrases, the second and fourth ending on a stressed syllable, to give an almost metric stanza (or two Anglo-Saxon half-lines). Then he broadens the pattern to end with two three-stress lines, which expand on “pardon” and “peace” respectively.
It is a jewel of a Collect, as exquisitely patterned as an Elizabethan sonnet. For those not used to examining Cranmer’s Collects in this way, it provides a splendid introduction: almost all of these prayers in the Book of Common Prayer have remarkable qualities of content or form, or both.


Friday, 29 April 2016

FOUR PRAYERS FOR CHURCH CHOIRS



Going over some old papers, I found these prayers which I composed about fifty years ago. To my knowledge they have never been used, so I'm pleased to make them available now to any choir that might be interested. At the time I was working on the prose rhythms of the Book of Common Prayer, so these prayers are composed rather in the manner of the BCP's Collects, which are themselves based on much older Latin prayers from the medieval Sacramentaries. 

I.

Bless, Lord, we beseech thee, our voices to thy faithful service; that singing thy praise in the concord of harmony they may join our hearts in the consonance of love; through Jesus Christ our Lord. Amen.

II.

Almighty and most merciful Father, who hast made us to know the song of thy holy Angels; grant us so to praise thee in this life, that in the next we may sing in the choir of their company; through Jesus Christ our Lord. Amen.

III.

Bless, we beseech thee, merciful Lord, the music of thy faithful children; that they that sing to thy praise may be instruments of thy Spirit; through Jesus Christ our Lord. Amen.

IV.

Almighty and everlasting God, who gavest us skill to sing of thy glory; give us grace, we beseech thee, to know whereof we sing, and faithfully to embrace the same; that saved at the last by thy redeeming love, we may raise our songs in the day of thy Kingdom; through Jesus Christ our Lord. Amen. 



Image: Magdalen College Choir, Oxford