Today’s lectionary gave us the story of the
raising of Lazarus – one of the most moving of all the Gospel stories, and one
that has given many people furiously to think. How did Lazarus look? How did he
feel? What did the world look like, after four days in the tomb? Where had he
been, those four days?
Two considerations may be relevant. The
first is derived from our Algerian parish priest’s sermon, in which he said
that the point for us is not only being touched by Jesus’ tears and at the
sisters’ emotion, but that we should realize to what degree we too are buried,
enclosed in a tomb, often of our own making, unable to rise and come out into
the light and air of love. The Epistle was Paul’s letter to the Romans which
reminds them that being ‘of the flesh’ hinders one’s approach to God, ‘but
you,’ he goes on, ‘are not of the flesh, but of the Spirit’. We need
imperatively, said Fr Jean-Kamel, to stop thinking that ‘the flesh’ is
invariably linked to sex. Being of the flesh, he said, means being caught in the
web of anger, contempt, fear, indignation, and a general rejection of others.
I’d add to that that it also means the attitude that of course, for a modern
thinking person, stories like the raising of Lazarus are either charming
fictions or complex allegories, but that in no case can they be simply true.
‘Life’s a bitch; then you die.’
Jesus called to Lazarus in a loud voice,
‘Lazarus, come out!’ John Donne, praying in his Devotions, which he wrote when almost mortally ill, referred to
this and said to God:
I have a grave of sin;
senselessness of sin is a grave; and where Lazarus had been four days, I have
been fifty years in putrefaction; why dost thou not call me, as thou didst him,
with a loud voice, since my soul is
as dead as his body was? I need thy thunder, O my God; thy music will not serve
me.
This wonderful interpellation of God, as
powerful as a Psalmist’s, may serve to start a meditation for this day.
The second consideration is that, as Fr
Swain of New York’s Church of the Resurrection announced last week, this
Sunday, the Fifth Sunday in Lent, is Passion Sunday. Now, like me, you might
not have heard that term used; I looked it up. It is the beginning,
traditionally, of Passiontide, which used to be longer than it tends to be
today. Statues are veiled; vestments turn from violet to crimson. There is much
to be said for ceremony, and I will come back to the subject. In this case,
after more than four weeks of Lent, it represents an intensifying, a moving
gradually into the meditative condition around the hugeness of Good Friday and
Easter. It helps us to remember how huge those occurrences are. It helps us to
forget chocolate bunnies and to approach immense and terrifying paradoxes. It
helps remind us that had we been there and part of it, we should probably not
have done better than, at the very least, Pilate (who intuited the truth but
bowed to what he thought was political necessity) or the disciples (who, apart
from Peter and perhaps John, took off for parts unknown the minute Jesus was arrested
in Gethsemane). It reminds us that for all of us, there are things in our lives
we are not proud of, things a great deal bigger than the small gluttonies we
‘give up for Lent’. Veil those statues. Wear the crimson. Hush the music. Face
up to the biggies. Admit them, to God if not to a priest. We have followed too
much the devices and desires of our own hearts; and there is damn little health
in us.
Almighty
God, who hatest nothing that thou has made,
and
dost forgive the sins of all them that are penitent;
create
and make in us new and contrite hearts; that we,
worthily
lamenting our sins and acknowledging our
wretchedness,
may obtain of thee, the God of all mercy,
perfect
remission and forgiveness. Through Jesus Christ
our
Lord.
If we can recite this without rebellion and
realize that, yes, without remission and forgiveness we would be and are fairly
wretched; then we are in a fair way to getting ready to receive the immensity
of God’s sacrifice and God’s gift (which are one and the same). Things get damn
serious, this time of year. But remember: ‘Heaviness may endure for a night;
but joy cometh in the morning.”(Psalm 30)
Image: Rembrandt, 'The Raising of Lazarus', Los Angeles County Museum
Thanks for this. I'd also add that the image of Christ in the painting is so (for me) movingly unlike the chocolate-box "meek and mild" image we have too often had in later centuries. This image is powerful, strange, compelling (and brunette). Thanks.
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